4 months playing guitar, Noob Blues for your pleasure.

Thanks to 331erock and Cole Rolland for inspiring me to play the guitar(Be sure to check them out), you leave behind what you inspire in other people!! Also, special thanks to Mark my coach. This is just a sweet blues track I came accross, its cool. Check it out – Blues Jam Track in A. All improv. Here is my weekly upload, I am going to throw up one a week as a means of tracking my progress. I learn a lot from watching myself play and I take notes as to what I want to add for my next video, if anyone has any ideas to throw at me or wants to join my journey on Guitar leave me some comments. Thanks and All the best, Ryan I started playing on March 15th, 2012. I have a Guitar – Premium Ibanez RG870 Qmz, amp – mustang 1 by Fender, BOSS SD-1 and BOSS GE-7. I promise everyone I will learn to be the guitar player it deserves ūüôā
Video Rating: 5 / 5

Playing Licks Between Chord Changes

www.creativeguitarstudio.comAndrew Wasson of Creative Guitar Studio answers a viewers question… Q: Hey Andrew, I want to add some lead licks or runs between my chord changes to give it more life than just strumming away on chords. I know my scales and triad and 7th arpeggios very well. How can I add more lead to my rhythm playing, or is there any exercises that might help. Thanks and keep up the great work! – Richard, NYC. Thanks for writing in Richard! Playing licks and runs around chord changes; like Hendrix or Stevie Ray, has a lot to do with a couple of important points… Namely being super solid at your rhythm guitar chops and really knowing your chord changes. Next up, is the entire area of knowing your scales, especially the pentatonics. In the video lesson I cover a number of points I think are quite important. Hope this helps you begin getting this technique down! All the best. The complete lesson article for this video is available on the Creative Guitar Studio website. Follow the link below: www.creativeguitarstudio.com ____________________________________ Andrew’s Official Q & A Guitar Blog Website: www.andrewwasson.com Andrew’s “Video GuitarBlog” YouTube Channel www.youtube.com The Creative Guitar Studio Website: www.creativeguitarstudio.com Follow Andrew on Blogspot: creativeguitarstudio.blogspot.com Follow on Twitter for new lesson announcements: twitter.com MySpace: www.myspace.com Facebook: www.facebook.com
Video Rating: 4 / 5

During this “rap session,” Eric Johnson talks about what drew him to Fender and then breaks down the features and tone of his signature Fender Rosewood Stratocaster.
Video Rating: 4 / 5

Interpreting The Videos

Hi there again!

Been getting alota mails from players and questions are all over the place this week!

I’ll try get a few outa the way.

To the problem with Justin playing over what he is saying…watch his left hand as closely as possible and try to follow the TAB but just remember, all of these lessons and songs are a matter for each persons interpretation.

I am not saying he is wrong….

What I mean by this is each person who watches or listens to all of these songs, solos etc will have their own version of what the original guitarist played and in some cases even the original guitarist doesn’t know or remember what they played. Go back and LISTEN closely and watch the video of the original, maybe you can pick out some notes left out by the teacher, we are human and not all ways right! Angus and Malcom young actually started in the 1970’s around the corner from where I actually live in Sydney , Australia – now that’s allot a guitar playing to remember in anyone’s language! I have seen Angus try to explain what/why¬† he plays the way he does it and is all spur of the moment with much of his momentum and technique coming from the fact that he is of a smaller stature ( another reason why he smaller Gibson SG model guitars suit him ) and the volume . When you see him bending a string he puts his whole body into it, when you see him play a chord, the he gets the whole shoulder/ body into it! A full work out in every performance definitely!

Second, for the Lary Larry Coryell lessons I would recommend only to the more advanced students and if you are going to try them make sure you have your  theory all together because it is very complicated and I have had allot of students try to go them without the very solid ground work needed in theory ( and of course practice!)

The CAGED system is a “visual” way to teach chords / scales quickly and again I would recommend going through some theory behind it all on the way or some bad habits develop…

Again as with the CAGED system I would recommend keeping a very close eye on what you are playing when attempting the Rock Guitar Lesson Soloing Excercise . Keep the speed very slow at the start and the picking hand as accurate as possible. By this I mean even up/ down strokes and make sure you hear every note cleanly/ clearly – no excessive noise, dragging the pick across strings, nervous picking ( what I call when someone tries to “just go for it” and looks like they are having a fit!) before you try to pick up the speed.

One more bit of advice… don’t just play scales over chords without realizing how they RELATE to each other. No offense intended to the nextlevelguitar teacher whose name I couldn’t even hear on You Tube, but he seems to be playing scales just for the hell of it while the chords just ramble on, not really putting them together at the start of the video. Please don’t get into the habit of “shredding” just for the hell of it….Malmsteen already has the market on that….lol But…..o.k if you must [play 365 no9tes instead of 6 or 7 in key that we could make some sense of… And yes I’ve had my shot at shredding long time ago and am well over it… speed doesn’t equal quality in music!

Learn your scales, learn to burn , then learn when to use it and when you notice people laughing at your playing you’ve gone¬† too far…. speaking from experience there people!

Till next time, have fun and keep on playin!

Other Picking Methods and Styles

Hi there again!
This week I’ll be looking at picking technique.
Allot of the viewers have been asking in emails etc about how the various teachers get their sound. The main hand that people have been watching is the fretting hand, that is the hand doing what appears to be all the work.
The fact of the matter is the main hand is the one actually producing the sound by plucking the strings.This is a very important factor as allot of the questions arise from people not realizing the different way the teachers/ people in the videos have been actually playing.
To begin with you should be practicing picking technique with a pick if that’s your style, pick down in rhythm making sure every note you play is distinct and is heard clearly. First slowly, then play the scale or riff etc faster but DO NOT continue playing until you can get a clear and precise sound – then do it with alternate picking , up and down, again you must really watch what and how you are playing. This is the only way your technique will improve and you will move forward as a guitar player not a string smasher..lol
The picking described above is for general blues, rock, metal styles, special attention must be payed to the scales/ alternate picking/ sweep picking – in metal styles where the speed picking in solos in the styles of Malsmsteen, Batio and the other neo-classical type shredders ( I know I missed allot of em , but theres just too many now..lol)
Another of the more popular but very miss-read picking is the “chicken pickin” style. In the George Thorogood video he keeps on about using a “thumb pick ” and his other fingers in a “claw” style. This gives you the opportunity to play the bass notes behind melody as in blues style of the older masters he talks about. Go back and watch some of these and really watch their “PICKING HAND”, not their fretting hand because that’s where most of the work ( picking) is being produced. Some players use the same style but don’t use a thumb pick, the thumb pick just helps to make the bass line in the playing more predominant…meaning you can hear it better with a thumb pick.
Note how Thorogood rests his pinky and sometimes ring finger of his right hand on the bottom of the bridge pickup. This gives him a solid anchor for his hand to play a heavier sound.
If you are going into a classical guitar style – this is not the way to play!
Classical guitarists stay up and off the face of the guitar and use the nails. Their technique is allot more precise and requires you to keep you hand free over the strings not with a heavy upon the strings attack motion.
And of course thanx for watchin and coming over to our site! Have fun and good luck, till next time c yas!

Review of Steve Howe Guitar Lesson

Firstly, thanx so much for all the great comments on the Steve Vai Lesson.¬† Following on from this lesson I have had allot of viewers asking me about the Steve Howe lesson. Maybe its a “Steve ” thing but they sure can play!

Ok… for starters you may need a little background on the style and sound of this gentleman. If you havent heard Chet Atkins play, go right there NOW! As an exponent of the “chicken pickin” style, you cant go past him.

Steve Howe is using a style that comes from using the pick and the other fingers at the same time. Watch closely and you will notice his pinky rests on the face of the guitar to give a solid anchor while using the pick to play the bass run. He uses his ring and middle finger to play the higher notes of the chord as a melody. The only time he comes off the face of the guitar is when he plays an actual rhythm style of strumming the chord.

Note well he “knows” the chords very well and doesn’t need to think about what he is playing. When you go to write¬† or copy this style you need to have done your home work here and while the tab is up somewhere for this you should watch the video over and over again as it is excellent ear training. Try to emulate the sound and very precise picking technique but remember to begin with easy phrases¬† with simpler chord shapes slowly ( try an open E major and some simple major blues pentatonic scale with bass run) until¬† you work up to the more complex shapes further up the fingerboard. You will need to know your major scale all the way along the fretboard and all the chord shapes and variations of them. Don’t just learn one shape and one open variation and think your done!

Hint- he uses the open G major chord from ( at 3.36 )¬† the tenth fret is actually a D major, playing the major scale run in between on the open strings and using a descending bass run, the root 5th¬† (at 4.40 ), keep the open G going¬† … now go figure the rest out … hope I’ve wet your whistle and inspired you to play!

Then he has some gold … as in music business advice that you should listen to, its not just about learning to play here, he tells you how he got ripped off and you should learn from his mistake, then maybe one day all the money from your music will land in the right pocket…yours!

And good luck!

Acoustic Blues guitar lesson spice up that bluesy playing

www.nextlevelguitar.com Click the link above to receive free exclusive videos, newletters, and lots of free guitar and music goodies from Next Level Guitar. In this lesson we teach an acoustic blues lesson on how to spice up some blues progressions and move around the guitar neck. Works with electric guitars also Many more lessons at: www.nextlevelguitar.com